High School Musical Characters

The lead stars characters in the movie High School Musical is Troy Bolton, East High's star athlete and Gabriela Montez, the Math Whiz who just transferred to East High. At first look, the characters can not be any more different from each other. Bolton, played by teen heartthrob Zac Efron is the basketball team's captain and is one of the most popular personalities in school. He is well loved and is expected to lead his team- the East High Wildcats to victory in the basketball championships.

On other hand Gabriela Montes, played by eighteen year old Vanessa Ann Hudgens, is a Math whiz and is the new girl in school. She sees this as the perfect opportunity to try new things and not just focus on Math which has always been her greatest strength.

The two characters meet during winter break without realizing they will end up being schoolmates when classes resume. The two were forced to sing together during karaoke night at a ski resort and that's when they realize they both enjoy singing.

When they audition for East High's Winter Musical- Twinkle Town they end up being called back for the final auditions for the lead roles against the siblings Sharpay and Ryan Evans. The two teens have always starred in the school's productions.

Sharpay Evans is the school's drama queen. Played by Ashley Tisdale, the Disney star who also has a regular role in the popular TV shoe The Suite Life of Zach & Cody, Sharpay is unhappy that she might end up playing understudy for the lead role to the new girl Gabriela.

Sharpay's talented brother Ryan is played by Lucas Grabeel. He helps his sister work out schemes to prevent the jock Troy Bolton and Math whiz Gabriela from landing the lead roles in Twinkle Town.

Sharpay and Ryan also stage elaborate performances that really make their drama teacher Ms. Darbus proud. Add to this the fact that Ms. Darbus is cautious about the real intentions Troy for auditioning.

Troy has a best friend named Chad played by Corbin Bleu. Corbin is also a Disney star who has starred in his own movie about jump rope teams- Jump In!. Gabriela on the other hand finds a dependable friend in Taylor McKessie played by actress Monique Coleman.

Another character that plays an important role in Troy and Gabriela landing the much coveted lead roles in Twinkle Town is song-writer & pianist Kelsi Nielsen. Kelsi created all the music for the musical and helps Troy and Gabriela practice the songs. Kelsi Nielsen is played by actress Olesya Rulin.

Other characters in the movie are: Zeke, the pastry-making basketball player played by Chris Warren Jr.; Coach Jack Bolton, Troy Bolton's father and the coach of the basketball team played by Bart Johnson; Jason, a basketball player played by Ryne Sanborn; Mrs. Montez played by Socorro Herrera; Principal Matsi played by Joey Miyashima; and other supporting casts.

Songs From Indian Films

Hindi film industry, also renowned as Bollywood produces thousands of movies every year. One of the most common features of these movies is 'Song and Dance' sequences. Not only Hindi movies but all regional movies also have songs as their integral part. These songs and dance scenes are quite elaborate and lavishly filmed. Right from the inception of Indian film industry, songs have always been a prominent feature of all the movies. During previous eras it was unthinkable to have a movie without any songs. In fact, few of the movies were successful just because of their songs.

As we all know, India possess grand musical tradition. That, to some extent explains why music is such an essential part of our daily lives. The early years of Indian cinema i.e., 30s and 40s had primarily classical music with less use of instruments in the film songs. Few songs even had elements of folk music.1950s and 60s signaled arrival of western music in Hindi films. Indian musicians have experimented with all genres of music which has truly helped in the evolution of Indian music. Songs from Indian films have kept changing with the changing tastes of music aficionados and yet the typical Indian essence has remained intact.

India has produced many great singers and musicians who have attained worldwide fame. Few notable musical talents India produced are K L Sehgal, Kishore Kumar, Khaiyyam, Mohd. Rafi, R D Burman, Lata Mangeshkar, S D Burman, Asha Bhonsle, and A R Rehman amongst others. Indian songs' popularity has attracted many talents from all over the country and even from across the border. Indian songs can be credited for bringing out oodles of talents in different roles; such as singers, lyricists, music directors, composers etc. All these movie songs are released as cassettes and CDs. During the earlier eras radio was the chief instrument used for playing music but with the advent of FM and Cable TV things have changed so much. This phenomenon has further helped in making these songs popular.

Like songs the hindi songs lyrics also has been well recognized and appreciated. Songs written by great writers like Javed Aktar, Hasrat Jaipuri, Gulzar, Anand Bakshi Sameer have added meaning to ones life. These songs cover various phases in life especially the old hindi songs thereby giving a personal touch and at times these songs even act as an inspiration for the people.

Music Bytes - Tips For Saving On Professional Software For Musicians

If you are outraged by the prices software giants demand for their tools, it's time to check out shareware. Small independent developers often provide similar solutions that cost three to five times less AND you get to try them before paying.

John's First Pick - MIDI Maestro

MIDI Maestro is music software designed for use by amateur and professional music directors, conductors, and soloists in live musical theater and similar musical accompaniment situations. Dynamic, intuitive performance control and powerful sequencing and editing capabilities combine to make MIDI Maestro the only music software you will need for your production.

These are the views and the layout used most often during a live performance. It's always easy to see what's coming up: tempos, cues, instrument changes, etc. The current position indicator remains in the center of the display. Tracks may be color-coded.

Most views may be zoomed both horizontally and vertically. You may choose to open and work with individual files, or "sets" of songs as used for a performance. The current beat number is always prominently displayed. The current measure number is also emphasized. A "bouncing ball" metronome may be used to assist you with conducting in slow or tempo-dynamic passages. A "tempo ratio" control allows you to make real-time adjustments to the tempo during performance. All commands critical during a performance may be mapped to your MIDI keyboard. Cues are color-coded and easy to read. Cue icons remain visible at all times in most views, even as views are scrolled or resized.

The staff view organizes music into standard notation. Printing is also supported. There're also lead-sheet, karaoke, piano roll, event list, and controller views.

MIDI Maestro may also be used as a virtual "Karaoke machine" complete with bouncing ball or highlighted text. Waveform audio clips may be combined with your MIDI tracks. MIDI Maestro also includes some very powerful waveform audio editing and visualization features. Other features include high-quality MIDI/Audio synchronization and support for VSTi software synthesizers.

Music Licensing For Film - Helps Artist to Protect Their Music

If you are passionate about taking music as your profession, then you must have sufficient amount of ideas about music licensing. Now composing music for the films means fame will kiss your feet and your coffer will get fatter by every passing day. So the talented personnel who dream to create music for the movies should have special knowledge about the music licensing for movies.

Music is a part and parcel of movies. The rank and file hums the popular scores and shakes their legs with the rocking music. The song writer piece up the emotions of the human being and put them into words whereas the composer adds sweet note to it. The melody makes its way to our hearts to strike the chords beyond any measure. In the context of importance of music in the movies, the issue of the music licensing for movies demands special attention from the composers.

It does not matter which kind of music a musician has composed for the films. It may be folklore, jazz, rock, classical or any devotional score. But each of them marks a rare talent of your creative spirit. Therefore, music licensing for movies is a critical issue for any music directors. It is an effective mean to ensure protection of your creation. Furthermore, if you have a finger in the pie in creating hit scores in a film then many a person will come up with the proposals of getting permission from you to use the popular songs for their own purposes. In absence of music licensing for movies, they would have used them without seeking your approval and you will surely be deprived of a huge bulk that you deserve.

In a layman's language, music licensing for movies is copyrighting one's work. Let us explain it in an explicit way. Suppose you have created music in a movie and it is a huge hit with the public. Nowadays the music is not only used in the films but also in the TV serials. The commercial use of the popular movie tracks is not new. The famous filmy songs are used for the sake of promotions of the reputed as well as the new brands. If a musician has opted for the facility of the music licensing for movies, then he or she can rightly claim for a substantial amount to allow his or her creation be used in the other mediums. Not only the movie music but also the cool music for brands can earn the facility of music licensing. In fact, licensing for the brands is equally important as the music licensing for movies. The compositions of several brands are creating ripples in the music world and the brand-mania has successfully gripped the generation Y. Not only the movie melody but also the brand music is extensively used in the advertisements. So the cool music for brands also requires a safeguard of music licensing.

Though music licensing for movies defends the rights of the music composers but the consumers are not much enthusiastic about it, it is because, many a person is involved into the illegal practice of making a mix of the songs either for themselves or their acquaintances. If they are caught red handed, then they have to pay heavy fines for their wrong deeds.

Importance of Telugu Songs in the Tollywood Film Industry

The importance of Telugu Songs is increasing day by day in the Tollywood Film Industry. The Audio of a film plays an important role in the success of that film. Because the audience first listens to the music and if its good, they come to the theater to watch the film. In the beginning days of cinema in Tollywood, the songs had no enough importance in the success of a film. They were given low importance with respect to the other crafts of Cinema. Even, the sound recordings are done in the shooting spot itself. Later on, the situation changed due to the increase of response from the audience towards the music. From then onwards, the music direction was given special importance and it is declared as a separate and important craft along with the other 23 crafts.

In today's world, many people are watching movies only if the songs are good. Music is playing an important role in the success of a film. The audio cassettes are releases before the film is released. This made the audience expect about the film. Their expectation will increase if the songs are hit. There were many films which done well only with the help of songs. Songs are ruling the Tollywood film industry these days. So, all the Film directors and actors are insisting on producers to invest enough money on music by hiring professional music directors like A.R. Rahman, Ilayaraja, Harris Jayraj etc... Due to the high remuneration of the professional musicians, the producers are hunting for talented and young music directors. This led to the boom of the musicians in tollywood film industry.

There are a lot of musicians in telugu industry who gave many block buster hits. The songs composed by them are still circulating in the minds of the people. Many fans worship these musicians as Gods.

Singers

There are many great singers in the Telugu industry like S.P. Balasubramaniyam, P. Susheela, S.P Sailaja, Chitra, Ghantasala etc who sung for thousands of hit songs in their careers.

The variety of songs like classical, folk, devotional and rock play a vital role in making the albums popular. The folk and rock versions will be lasted very few days, but the classical/melody songs will be everlasting. Music has also the ability to cure many health problems using Music Therapy. Now a days, the musicians are using the internet to promote their albums. They are releasing some music tracks for downloading and building up fan clubs by which they are promoting their film. This is another tactic to create high expectations on their films.

The internet is a great source to listen to the music from your computer with just a click. There are a lot of sites for Telugu Songs, Hindi Songs, Tamil, Kannada and more.

Old Indian Film Music

Indian Film music has its imperative place in Indian society. Film music is so popular that different age groups in Indian communities love to listen it. The period from the late 1940s to 1960s are regarded the "Golden Age" of Hindi Cinema by film critics and historians. Some of the most critically acclaimed Hindi films and its music of all time were produced during this period.

People of different age groups in India upload these old songs in there mobiles/cell phones and listen them to come out winner by removing mental pressure, depression, stress and many other modern psychological diseases. Some of the old songs like "Aien Mere Watan ke logon" become so popular that it made the then Prime Minister of India Pandit Jawaharlal Nehru broke in to tears. The songs of Manoj Kumar films maximum dedicated to Mother India and still play during National Holidays like "Indian Independence Day" "Republic Day of India" and on many other juncture.

Many legendary music directors like, Anil Biswas, Naushad, Salil Chowdary, Sachin Dev Burman and many more composed beautiful melodies, and are still alive in the heart of Indian film music lovers. These music directors with the help of legendary play back singers like Shamshad Begum, Suraiah, "Bharat Ratna" Lata Mangeshkar, Mohammed Rafi, Kishor Kumar, Mukesh, Talat Mahmood, Manna De, Asha Bhosle Mahendra Kapoor and other, took the Indian Film music to the top of its zenith. This trend is successfully handled by today's great "Oscar Winner" music Director A. R. Rehman. He set Indian Film music to the top of the World. Because of him the western World are showing interests in Indian Film songs today.

People all over the world, who love listening to Old Indian Film Music, can download from different music sites and blogs. Internet reaches to every corner of the World today and providing facilities to there music lovers to download the music the want with free of cost. If one could go back before 1995, these lovers used to buy music paying money, but the scenario is different today, they can download quality mp3 songs from internet and upload it to their mobile/cellphone gadgets to enjoy listening old hindi songs.

Swarjit Kumar Biswas Old Hindi Songs

What is the Role of the Music Director in a Local Church?

INTRODUCTION

The office of a Music Director may be traced to bible history times with specific reference to the time David became king of Israel. Even though this portfolio had been around for a very long time, it was not until David became king that it gained prominence in the everyday life of God's people. A thorough study of the reforms that took place under David's leadership (1st Chronicles) will attest to the emphasis that he placed on temple worship music. These reforms brought to the fore music personalities like Asaph, Heman and Jeduthun, who became key leaders and Music Directors with varying responsibilities.

The dynamics involved in the role of Music Director become evident based on the environment of its performance. In David's time he, the king, was the chief musician while others functioned under him (1st Chronicles 25:1-8). This was so because apart from his royal responsibilities and calling, David had been raised and anointed of God for the office of the prophetic through music. By this we learn that it was not the fact that he was king that gave him right to be chief musician but rather a divine calling of God upon his life. When you look at the other kings of Israel beginning with Saul, we do not see any of them stepping into that Music Director role as David did.

This is in striking contrast to what pertains in some churches where the leader (vision bearer, Pastor, founder etc) in most cases takes up the Director's role as far as music is concerned. He would normally decide on how the choir is structured and run. He decides who joins, who sings what songs and so on. In most cases these things have frustrated the work of many genuinely called music directors. In no way does this suggest anyone can walk into a church and decide the direction or vision of the church, no. Everyone who works in any enterprise must be subject to the structure that governs the enterprise but this does not reduce the workers in an enterprise to functional robots who cannot bring their skill, knowledge and initiative to bear for the good of the vision.

It is in this spirit that we would be looking at the role of the Music Director not as one managing his own outfit outside the local church, but as one playing this role within the confines of a larger unit like the local church.

MISCONCEPTIONS

The misconception of a music director's work, job description and function differs from enterprise to enterprise and church to church. Unfortunately we tend to copy what we see as a success without trying to find out what foundation the success sits on. Systems have been reduced to fashion tags. Your peculiar music vision must be largely responsible for the system you employ. Here are some wrong concepts of music direction held by many even some who hold themselves out as music directors. It is hoped that this will begin to turn around our thinking of what the office of music director really is.

Some think the music director:

* Is appointed to teach songs like a choir master.
* Must be the most talented instrumentalist or singer or both.
* Must be the longest serving member in the enterprise or choir.
* Must be the most prayerful member in the enterprise or choir.
* Must be the most loyally serving and committed member.
* Must be the one in the choir with bible school experience.
* Must be an associate Pastor on the church Pastoral team
* Must be the most affable member with good relational skills.

While all these may be a plus for the job, the core business of music directing goes far beyond these. The question then is what is a music director's role? Is it to rehearse the band? Is it to decide who will sing what songs or to moderate meetings?

Tom Bright-Davies is a multi-talented musician. As a music educationist, he has written numerous materials in areas such as general music, voice, keyboards and production studies. You can access FREE useful resources on his blog at ABC of music.